Hyper-realism reaches a point of surreal alienation in New Zealand-born Peter Stichbury’s paintings. These alienated and alienating faces, doll-like and expressionless, detail what could be a new race of clones, mannequins, or digitally rendered animations. Well-dressed, exceedingly manicured, completely devoid of facial emotion, their middle gaze lost on an unknown point, they carry an unsettling quality
about them.
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