Wednesday, February 21, 2018
The Greeks didn’t just fling their glasses of wine about willy-nilly, though. This game of wine-slinging—known as kottabos—had a discernible target, and both pride and prizes were on the line.
Kottabos had two iterations. The preferred way to play, which is the iteration often depicted in plays and especially on pieces of pottery, involved a pole. Players would balance a small bronze disk, called a plastinx, on top of it. The goal was to flick dregs of one’s wine at the plastinx so that it would fall, making a clattering crash as it hit the manes, a metal plate or domed pan that lay roughly two-thirds down the pole. The competitors reclined on their couches, arranged in a square or circle around the pole a couple of yards away. Each then took turns launching their wine from their kylix, a shallow, circular vessel with a looping handle on each side. A less common version of the game featured players aiming at a number of small bowls, which floated in water within a larger basin.
In this case, the object of the game was to sink as many of the small bowls as possible with the same arcing shots. Since it lacked the resounding clang of the plastinx striking the manes, this version of kottabos has been regarded as the quieter, more civilized way to play. Read more
Artist Dain Yoon creates optical illusion makeup that will have you seeing double (or triple…or more).
To prove that it’s real—and give insight into her incredible body art process—she shares videos on her Instagram and YouTube channel. more
Frustrated by the daily bombardment of advertising on the streets of New York City, artist Caroline Caldwell and writer RJ Rushmore decided to produce a project that would dampen the sheer volume of visual marketing strewn throughout their environment. The pair didn’t have the budget to prompt an entire overhaul, but they did have the incentive to construct an intervention that would offer an alternative glimpse to the city’s high volume of print-based advertisements.
For their 2017 project, Art in Ad Places, the pair recruited 55 artists and collectives from across the country to produce 55 works to be temporarily displayed on pay phone booths across New York City.
Those designing AI systems need to do more to mitigate possible misuses of their technology, the authors said. And governments must consider new laws.