Daniel Zvereff’s Infrared Introspective

When artist Daniel Zvereff saw Richard Mosse’s “Infra” film project from the Congo, he knew he had to find a way to make the most of the discontinued, magenta-hued film. Known as “Kodak Aerochrome,” this film was originally intended for aerial photography to indicate areas of vegetation in surveys and to find camouflaged military encampments. Kodak describes it as “infrared-sensitive, false-color reversal film.” Plant life turns to a majestic red or purple hue while non-plant life often renders in grey or blue. continue