Hold on, I’m coming.., Toon Joosen

Having amassed an enormous archive of magazines and newspapers from the 1960s, Joosen tends to identify a pair of clippings “that together strengthen or alienate the whole,” he says. 

Through warped perspectives and exaggerated scales, the resulting collages reveal the artist’s signature wit as they depict people lounging on massive lilypads, a young boy spraying whipped cream on a beach, and a fisherman reeling in love.

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