Dries Van Noten and Die Plek present the first U.S. exhibition of Gus Van Sant’s photographic works in over a decade. Some of these portraits were taken in the 1980s and 1990s while casting his provocative and pioneering films Mala Noche, Drugstore Cowboy, My Own Private Idaho, and To Die For.
Even as Van Sant successfully works within Hollywood, he is an artist who subverts protocol and pushes standard definitions of character and storytelling, including casting amateur actors alongside Hollywood’s biggest names, as reflected
here.
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