Rembrandt van Rijn was the definition of an “old master”—a painter so deft, his portraits seem to leap from the canvas. But how did he achieve his effects in a time long before projectors, computers and other 21st-century tools? The answer to that question could be boiled down to one word: science. As Steph Yin reports for The New York Times, new research suggests that Rembrandt may have relied on complex optics while he painted.
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