But this year, the John Lewis ad has been overshadowed by gargantuan supermarket and noted humanitarian anti-war campaigner J Sainsbury PLC, and its tear-jerking period piece in which a perfectly good war is ruined by a tragic outbreak of football.
Shivering in a frosty trench – or “the frozen aisle”, in Sainsbury’s parlance – they pause to sing Silent Night, have a kickaround with their German counterparts, and bond over a chocolate bar. It’s all very poignant, if you mentally delete the bit where a supermarket logo hovers over the killing fields, which you can’t. Boringly, the advert stops short of showing us the events of the following day, when war was resumed and they reverted to bayoneting one another in the face. Nectar points for each headshot, lads! Kill two Jerries, get one free! Millions of young men were slaughtered during the first world war – “body-bagged for life”, in Sainsbury’s parlance – and doubtless as they lay dying in foreign fields, gazing down at what remained of their mud-caked, punctured, broken bodies, gasping their final agonised breaths, it would have been a great source of comfort for them to know their noble sacrifice would still be honoured a century later, in an advert for a shop.
Next year they’re doing the Sharpeville Massacre.
This year, the top Christmas products include My Friend Cayla, billed as “the world’s first internet-connected doll”, something humankind has been crying out for since the earliest days of the abacus. My Friend Cayla is several furlongs beyond nightmarish. Technology has taken a familiar horror movie staple – the self-aware talking doll that suddenly addresses you by name, even when you haven’t pulled its string – and made it a chilling reality. Yes, Cayla is no ordinary talking doll. She “knows almost everything”, according to the jingle. That’s because she can Google things with her Bluetooth-enabled, computerised mind. She’s essentially Siri in the form of a plastic child, or, as the website puts it, “the doll you can talk to like a real friend!” – which is true, assuming your conversations with your real friends consist of you issuing basic commands and demanding answers to factual questions. The promotional material shows children asking Cayla nothing more taxing than “How do I bake a cake?” or “What is the tallest animal?” No one uses her to Google medical symptoms or ask for the latest on Isis, although presumably you could, and the news would be all the more disturbing for being recounted by a cold, expressionless plastic child whose eyes and lips don’t even move. Come to think of it, put like that, I’ve just realised she’s the ideal newsreader. She’s the ideal spy, too.
The moment I saw her, I realised there was a chilling near-future horror script to be written about an internet-enabled talking doll that reports back on everything you and your family get up to, to the government, to retailers, and to random hackers in Belarus. So at least I’ve got a future Black Mirror episode out of it. Fingers crossed I can finish the fictional version before the 3D documentary adaptation is launched in our waking reality.
By Charlie Brooker
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