'Christina's World,' 1948.
The work became an American icon like Grant Wood’s “American Gothic,” or Emmanuel Leutze’s “Washington Crossing the Delaware.” Mr. Wyeth had seen Christina Olson, crippled from the waist down, dragging herself across a Maine field, “like a crab on a New England shore,” he recalled. To him she was a model of dignity who refused to use a wheelchair and preferred to live in squalor rather than be beholden to anyone."
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